Written for Paul Brookes' ekphrastic challenge - one poem a day in April 2021.
Orbiting
Written for Paul Brookes' ekphrastic challenge - one poem a day in April 2021.
Written for Paul Brookes' ekphrastic challenge - one poem a day in April 2021.
Written for Paul Brookes' ekphrastic challenge - one poem a day in April 2021.
La Luna
The moon is melting, slowly losing layers
of ancient skin, that peel and drip away.
The moon is boiling where dark forces flay
it's surface, set the satellite ablaze.
The moon is burning, smoke plumes into space;
now blood is oozing from its screaming eyes
its dark side now exposed, an end of days
and there's no mirage of a human face.
They say the moon is made of solid rock
that cannot burn; not able to weep blood
or cry, or vanish, turn the world to black.
And people all around me pay no heed,
it's me they seem to fear, their faces turn -
am I the only one who sees it burn?
Tim Fellows 2nd April 2021
mummy's gone
mummy's gone was all he said
he was holding me so tight
i couldn't breathe
i wriggled and he let me go
we haven't had any tea
it's getting dark now
the house is cold
the stair is cold
i always sit here when i'm sad
or i have to think about things
he's crying in his room now
daddy never cries
tim fellows 1 april 2021
This is based on something we saw on our holiday in North Queensland.
Cape Tribulation
Around its motionless scales the earth
and air teem with life. Fangs bared,
it gapes at the empyreal sky
from the hot night tarmac. It receives
the ancient light of its stars.
It is elemental.
Coaly eyes absorb the luminescence
of eons, older than all its ancestors.
In the vastness, the stars go back forever.
Tim Fellows 2021
One I wrote last year for World Mental Health Day. Much has been written about men's mental health and their inability to deal with it. Things are improving but it's slow going.
Crayons
Crayons are scribbling
in his brain again. Their colours,
so vibrant when he was young,
are faded now. Worse still,
they are waxy, stifling, dark
and corrupted.
Some brief flashes spark
in his memory, his mum's
bright red lipstick, the blue
sea and skies of summer holidays
before his Dad, wielding his child's
cricket bat, stole away.
A single tear tracks the contour
of his cheek at what his mum
would think of him now.
The empty bottle and the canister
of pills lying on its side
his only company.
He lays his head on the table
as the brown crayon takes over,
laying layer upon layer,
and as he closes his eyes
he feels the black one between
his finger and his thumb.
Tim Fellows 2020
Based on a memory, which may be unreliable, from some time in the 1960s. With thanks to Sarah Wimbush and Ian Parks for editing and for the...