Saturday, 3 April 2021

Chrysanthemums

Written for Paul Brookes' ekphrastic challenge - one poem a day in April 2021. 

The art work for this day is "Chrysanthemums" by John Law

 
Chrysanthemums
 
I ponder, as I wait for you to leave,
why bloody flowers mean anything at all.
Love, or death, or distant Emporer's seal;
these red chrysanthemums simply deceive.
 
Their scent is scattered, lost in autumn's wind,
their bloom is fading too, the leaves are sad.
They were our wedding flower but we've had
our time. All gone - the suit, the flower, the pin.

Tim Fellows 3rd April 2021

 

 

Friday, 2 April 2021

La Luna

Written for Paul Brookes' ekphrastic challenge - one poem a day in April 2021. 

 
The art work for this day is "Alterations" by Kerfe Roig


 

La Luna

The moon is melting, slowly losing layers
of ancient skin, that peel and drip away.
The moon is boiling where dark forces flay
it's surface, set the satellite ablaze.

The moon is burning, smoke plumes into space;
now blood is oozing from its screaming eyes
its dark side now exposed, an end of days
and there's no mirage of a human face.

They say the moon is made of solid rock
that cannot burn; not able to weep blood
or cry, or vanish, turn the world to black.
And people all around me pay no heed,

it's me they seem to fear, their faces turn - 
am I the only one who sees it burn?

Tim Fellows 2nd April 2021 

Thursday, 1 April 2021

mummy's gone

Written for Paul Brookes' ekphrastic challenge - one poem a day in April 2021. 
 
The drawing for this day is by Jane Cornwell


mummy's gone

mummy's gone was all he said
he was holding me so tight
i couldn't breathe
i wriggled and he let me go
we haven't had any tea
it's getting dark now
the house is cold
the stair is cold
i always sit here when i'm sad
or i have to think about things

he's crying in his room now
daddy never cries

tim fellows 1 april 2021

Sunday, 21 March 2021

Cape Tribulation

This is based on something we saw on our holiday in North Queensland.



Cape Tribulation

Around its motionless scales the earth
and air teem with life. Fangs bared,
it gapes at the empyreal sky
from the hot night tarmac. It receives
the ancient light of its stars.
It is elemental.
Coaly eyes absorb the luminescence
of eons, older than all its ancestors.
In the vastness, the stars go back forever. 

Tim Fellows 2021

Image by sipa from Pixabay

Tuesday, 9 March 2021

Crayons

One I wrote last year for World Mental Health Day. Much has been written about men's mental health and their inability to deal with it. Things are improving but it's slow going.



Crayons

Crayons are scribbling
in his brain again. Their colours,
so vibrant when he was young,
are faded now. Worse still,
they are waxy, stifling, dark
and corrupted.

Some brief flashes spark
in his memory, his mum's
bright red lipstick, the blue
sea and skies of summer holidays
before his Dad, wielding his child's
cricket bat, stole away.

A single tear tracks the contour
of his cheek at what his mum
would think of him now.
The empty bottle and the canister
of pills lying on its side
his only company.

He lays his head on the table
as the brown crayon takes over,
laying layer upon layer,
and as he closes his eyes
he feels the black one between
his finger and his thumb. 

Tim Fellows 2020

 

Image by PublicDomainPictures from Pixabay

Saturday, 27 February 2021

Get One of Each On

This was written after a Read to Write session on the poetry of Michael Rosen.

I have issues with the idea that all opinions are somehow equal.  

Get One of Each On

Welcome, said the presenter, to The Big Debate. Today, she said,
we will debate Climate Change.

On my right, Professor Jane Doublefirst of Oxford University,
who has 25 years' experience in Climate Science in the
public and private sectors, arguing the case for green energy.

On my left, Dave Straightspeaker from Basildon, who thinks Global
Warming is nonsense peddled by do-gooding lefties.

Got to be impartial, they said. Get one of each on.

Welcome, said the presenter, to The Big Debate. Today, she said,
we will debate Vaccination.

On my right, Dr. Jim Needles, who has 30 years' experience
in Vaccinology in the public and private sectors, and has written
several books on the elimination of diseases worldwide.

On my left, Karen Redditontwitter, from Derby, who thinks vaccines
give you autism and have poison and microchips in.

Got to be impartial, they said. Get one of each on.

Welcome, said the presenter, to The Big Debate. Today, she said,
we will debate Immigration.

On my right, Lady Pamela Bright, who came to the UK as a child
in the 1950s and has spent 40 years working in immigration law and
has written international articles on the benefits of immigration.

On my left, Sir Jeffrey Littlebrain, MP for Home County South, who thinks
Britain is full and we let in criminals and they're on benefits and taking British
jobs.

Got to be impartial, they said. Get one of each on.

Welcome, said the presenter, to The Big Debate. Today, she said,
we will debate The Holocaust....

Tim Fellows 2020

Saturday, 13 February 2021

An Old Actor's Lament (Erasure Challenge)

This poem was created from the words in a section of James Joyce's Ulysses (see below) as a challenge set by Paul Brookes.  



An Old Actor's Lament

Bloom, grey spouting beard! Thrill her!

Here, the same women still kiss young Romeo,
pleasure tantalising, gnawing, desire growing.

Over there, every man - well preserved -
would of course live forever.

Those pretty little ladies, hot, strong, and sweet
laugh; joke about your life.

How many have you asked? Two, ten, eleven?
The papers ceased to care.

Tim Fellows February 2021

---------------------------------------------------------------------------------------------------------------------

Mr Bloom admired the caretaker’s prosperous bulk. All want to be on good terms with him. Decent fellow, John O’Connell, real good sort. Keys: like Keyes’s ad: no fear of anyone getting out. No passout checks. Habeas corpus. I must see about that ad after the funeral. Did I write Ballsbridge on the envelope I took to cover when she disturbed me writing to Martha? Hope it’s not chucked in the dead letter office. Be the better of a shave. Grey sprouting beard. That’s the first sign when the hairs come out grey. And temper getting cross. Silver threads among the grey. Fancy being his wife. Wonder he had the gumption to propose to any girl. Come out and live in the graveyard. Dangle that before her. It might thrill her first. Courting death. Shades of night hovering here with all the dead stretched about. The shadows of the tombs when churchyards yawn and Daniel O’Connell must be a descendant I suppose who is this used to say he was a queer breedy man great catholic all the same like a big giant in the dark. Will o’ the wisp. Gas of graves. Want to keep her mind off it to conceive at all. Women especially are so touchy. Tell her a ghost story in bed to make her sleep. Have you ever seen a ghost? Well, I have. It was a pitchdark night. The clock was on the stroke of twelve. Still they’d kiss all right if properly keyed up. Whores in Turkish graveyards. Learn anything if taken young. You might pick up a young widow here. Men like that. Love among the tombstones. Romeo. Spice of pleasure. In the midst of death we are in life. Both ends meet. Tantalising for the poor dead. Smell of grilled beefsteaks to the starving. Gnawing their vitals. Desire to grig people. Molly wanting to do it at the window. Eight children he has anyway.

He has seen a fair share go under in his time, lying around him field after field. Holy fields. More room if they buried them standing. Sitting or kneeling you couldn’t. Standing? His head might come up some day above ground in a landslip with his hand pointing. All honeycombed the ground must be: oblong cells. And very neat he keeps it too: trim grass and edgings. His garden Major Gamble calls Mount Jerome. Well, so it is. Ought to be flowers of sleep. Chinese cemeteries with giant poppies growing produce the best opium Mastiansky told me. The Botanic Gardens are just over there. It’s the blood sinking in the earth gives new life. Same idea those jews they said killed the christian boy. Every man his price. Well preserved fat corpse, gentleman, epicure, invaluable for fruit garden. A bargain. By carcass of William Wilkinson, auditor and accountant, lately deceased, three pounds thirteen and six. With thanks.

I daresay the soil would be quite fat with corpsemanure, bones, flesh, nails. Charnelhouses. Dreadful. Turning green and pink decomposing. Rot quick in damp earth. The lean old ones tougher. Then a kind of a tallowy kind of a cheesy. Then begin to get black, black treacle oozing out of them. Then dried up. Deathmoths. Of course the cells or whatever they are go on living. Changing about. Live for ever practically. Nothing to feed on feed on themselves.

But they must breed a devil of a lot of maggots. Soil must be simply swirling with them. Your head it simply swurls. Those pretty little seaside gurls. He looks cheerful enough over it. Gives him a sense of power seeing all the others go under first. Wonder how he looks at life. Cracking his jokes too: warms the cockles of his heart. The one about the bulletin. Spurgeon went to heaven 4 a.m. this morning. 11 p.m. (closing time). Not arrived yet. Peter. The dead themselves the men anyhow would like to hear an odd joke or the women to know what’s in fashion. A juicy pear or ladies’ punch, hot, strong and sweet. Keep out the damp. You must laugh sometimes so better do it that way. Gravediggers in Hamlet. Shows the profound knowledge of the human heart. Daren’t joke about the dead for two years at least. De mortuis nil nisi prius. Go out of mourning first. Hard to imagine his funeral. Seems a sort of a joke. Read your own obituary notice they say you live longer. Gives you second wind. New lease of life.

How many have you for tomorrow? the caretaker asked.

Two, Corny Kelleher said. Half ten and eleven.

The caretaker put the papers in his pocket. The barrow had ceased to trundle. The mourners split and moved to each side of the hole, stepping with care round the graves. The gravediggers bore the coffin and set its nose on the brink, looping the bands round it.

The Colours of Her Skirt

Based on a memory, which may be unreliable, from some time in the 1960s.  With thanks to Sarah Wimbush and Ian Parks for editing and for the...