Friday, 22 February 2019

Thirteen ways of looking at an apple

Inspired by "Thirteen ways of looking at a blackbird" by Walace Stevens



Thirteen ways of looking at an apple

Genesis

The winter apple
waits in the metal tube
in the dark. It leaves
no trace.

Generous

In the bowl the apple, orange
and pear
are still life for the artist.

Gentile

Sharpness and sweetness
can co-exist.
The apple says so.

Genteel

Under a roof of pastry
the apples steam
and give scents of home.

Gentlemen

Beware the seeds of poison
growing in the apple core,
where the blackbird sings.

Genomes

The apple, bruised and rotten,
has not fallen far from the tree.
Forgotten windfall.

Gentle

In the barrel the apple hides
among many others. It feels safe
in the dark.

Genocide

The child laughs at the apple
in the pig's mouth
but the pig isn't laughing.

Generations

The apple's connection
to the branch is fragile.
When it parts
it briefly flies.

Genuflect

The orchards are green
and lustrous -  I shelter
from the soft rain and, kneeling,
take an unripe apple.

Generic

The blacksmith's arm
swings. He is sweating
and each blow trembles
the apples in his tree.

Genius

Silver, shining apple.
A bite taken, but
I want you, I need you.

Genders

In the beginning
the man and the woman were one.
The man, the woman and the apple
were one.

Tim Fellows 2019

Friday, 15 February 2019

Today

For my lovely wife Fiona.

Today

Today was the day the sun shone brighter
reflected light on clear glass waltzing
Today was the day the grass grew greener
morning dewdrops gently smiling

Today was the day the planets sang,
straying from their path, aligning.
Today was the day the trees all flowered
though outside it is December

Today was the day the walls all crumbled
the ground beneath us quietly trembling
Today was the day the sky was bluer
filled with swooping murmurations

Today was the day when life restarted
born like mewling lambs in springtime
Today was the day
that I met you.

Tim Fellows 14 Feb 2019

Friday, 8 February 2019

The River

I wrote the first draft of this at one of Ian Parks' Peace Workshops in 2018. This is for him in honour of his upcoming 60th birthday with thanks for all the help and advice.




The River

In future times when struggles past
have faded into history
the silence of the rusted guns
lifts us to the mountain top
where, trickling down through purple rocks,
the melting snow
forms rivulets both clear and pure
that merge and grow -
a delicate, determined stream
cascading to the land below
where the river roars and foams
and flows with currents deep and fast.

(c) Tim Fellows 2019

Friday, 1 February 2019

Plastic Cup Of Coffee



Plastic Cup of Coffee

You've got a plastic cup of coffee
in a plastic coffee cup.
Mobile phone in one hand
you try to take a sip -
your skinny caramel latte
is a little bit too hot
so by the time you've finished it
you haven't really got
time to find a waste bin
and you don't give a shit
so you drop it on the pavement -
someone else will pick it up -
you've had your plastic cup of coffee
in its plastic coffee cup.

Plastic straws, plastic bags,
plastic wrapping on your veg,
What happened to brown paper?
Do you have a grudge
against this world that feeds us
and the creatures of the sea?
"Dump it in the landfill,
it's nowhere near me!"
So when the earth is choking
and we've all given up
remember your plastic cup of coffee
in it's fucking Costa Starbucks Nero
McFucking plastic coffee cup.

Tim Fellows 2018

Friday, 25 January 2019

A different take on 'Night Mail'

I wanted to write something to commemorate Holocaust Memorial Day in January 2018 and as it developed I realised it was a bit like W.H. Auden's famous Night Mail so I thought why not go the whole hog and just use it as the whole basis of the poem. It's taken a while to refine it.



You can read the original here but it's worth finding the video on YouTube of it being read on the original film as the different sections scan very differently and are worthy of being listened to in the correct rhythm. 

Night Train 1943

With thanks, and apologies, to WH Auden. 

I
 
This is the Night Train crossing the border
no hindrance thanks to the Fuhrer's order
Carrying the rich, carrying the poor,
the owner of the shop and the girl next door.

Out of the Alps a steady climb
Under this regime she'll arrive on time
In open trucks the people get colder
Rammed like cattle shoulder to shoulder
Scarce sympathy shown as she passes
the silent stations of the huddled masses

People turn their heads as she approaches
Don't look at the faces in the coaches
No-one wants to change her course
despite occasional silent remorse
At night she passes, where no-one wakes
In the carriage a frightened woman shakes

II

A New Dawn rises, the job near done
Down to the ghetto she descends
Towards the town brimming with the sick and dying
Towards the state apparatus, the furnaces
hidden in forests like ancient monsters
The Reaper waits for her.
In far away countries, exalted lands of the free
Families long for news.

III

Letters of hope, pleas for help
words without joy from girl and boy
Filled-out forms, formal invitations,
To live with more fortunate relations
Applications for situations
arising in remote but safer nations.
Letters arrive then suddenly stop
Why would they not write? Why would they drop
the letters from uncles, cousins and aunts
trying to get to Belgium or France
then on to Chicago, Miami, New York
News from Europe increasingly dark
Letters of love, of hope, then fear
from Vienna stained by desperate tear
Written on paper of every hue
by the victimised, robbed and hounded Jew
who cannot bypass the black pen's scoring
as the cold official censors their heart's outpouring
The arm of the fascist state is long
the deafening silence feels so wrong

IV

On the train there's fitful sleep
And dreams of real life monsters
suddenly alive; no friendly waves from neighbours
who sleep safe, for now, in much quieter streets
In ethnically cleansed Munich, Cologne and Berlin
a few remain, continue to dream
and shall wake soon, ten to a room
and none shall hear the fateful knock
without a quickening of the heart
For who can bear to feel themselves forgotten?

Tim Fellows 2018

Friday, 18 January 2019

The Almanack

The Almanack

My homage to cricket.



I see, upon my dusty library shelf
in ordered rank, six heavy thick-set tomes
mustard-brown guardians of our summer game
that bring those far pavilions to my home.

I take one, and I let it open up -
(it's never to be read from front to back)
sampled, like a statistical buffet,
the tale of cherry ball on linseed bat.

I picture, as a half-remembered dream,
a field of green in distant empire lands
another run is added to the score
etched in time by the scorer's careful hand.

Though stumps are drawn, the players now are gone,
the book is closed but Wisden carries on.

Tim Fellows 2019

Friday, 11 January 2019

The Edge of the Storm

On Monday, October 16th 2017 Hurricane Ophelia tracked north through Ireland - in England we experienced strange atmospheric conditions that caused the sun to appear red, bathing the sky in red light. 



At the edge of the storm
where the sky bleeds red
we are watchful, not scared,
our murmurs unheard
by those who, in fear and dread,
shelter in battered cottage or farm.

At the edge of the storm
we believe we are safe
the invisible, angry, loaded force 
passes by today, its destructive course
whips up heaving, frothy waves
with merciless winds unnaturally warm.

At the edge of the storm
we strive to ignore
its probable cause, our careless part,
though we know, in our true heart,
man's suicidal, destructive war
against the planet is causing us harm.

At the edge of the storm
we may be too late;
we observe the sky, but if we don't heed
the warning signs, one day we'll need
more than words to escape our fate
when the ruthless storm blows its final horn.

Tim Fellows 2017

The Colours of Her Skirt

Based on a memory, which may be unreliable, from some time in the 1960s.  With thanks to Sarah Wimbush and Ian Parks for editing and for the...