Showing posts with label Supernatural. Show all posts
Showing posts with label Supernatural. Show all posts

Friday, 23 April 2021

Magic Afoot

Happy Shakespeare Day!

Written for Paul Brookes' ekphrastic challenge - one poem a day in April 2021. 
 
The art work for this day is "Magic is Afoot" by Kerfe Roig



Magic Afoot
 
Spins in blackness
Eye of newt
moon on fire
and toe of frog
in a circle of light
wool of bat
and raging desire
and tongue of dog

Adder's fork
she speaks in tongues
and blind-worm's sting
when night quells day
Lizard's leg
her heartbeat slows
and owlet's wing
he's going to pay

When shall we three meet again?
Him, and her, in endless pain....

Tim Fellows 2021
 

Friday, 9 April 2021

Selkie

Written for Paul Brookes' ekphrastic challenge - one poem a day in April 2021. 

The art work for this day is by Jane Cornwell
 


 
Selkie
 
Smooth and sensual, softly yearning 
he weaves through wave-breaks, surfs the whale-road
where the wild things meet at witching. 

Mate in moonlight, bodies melding
lost and lusting, they leave the earth-life
enter night-dreams, noses brushing
 
Salty singing, flick through sea-hair 
find their freedom, fierce in longing
burst the breakers, hot blood coursing
 
In the cooling, calm and careful,
gently gliding, ghosts in sea streams
silk and supple, stars their ceiling

Mourn in morning, the moon has faded
and he is gone, his heart is home-bound,
locked on land when sunlight brightens.
 
Come the cold-time, she climbs the sand-way
Grey and groaning, dragging grimly
Behind a bare and wind-tossed coast bush

Heavy with hunger, heaves a last time
born in blood and broken promise
Calf-cream leaks now, thick and calming
 
Lies with new birth, looks to land-hills
Sees a shape that seems familiar
Something's watching, wet with weeping. 
 
Tim Fellows 2021

Friday, 8 March 2019

Mrs Frankenstein

Written as an exercise based on the idea behind "The World's Wife" by Carol Ann Duffy. I haven't published a villanelle in a while but this just cried out for it. 

Mrs Frankenstein was actually not Mrs Frankenstein for long - Elizabeth Lavenza was killed by the monster on her wedding night as Victor was out searching for it.



Mrs Frankenstein

Another late night at the lab he said
His hair is wild, he cannot fall asleep
in thrall to his obsession with the dead

What's his secret? A girl he takes to bed?
I can't bear it - he makes me feel so cheap
Another late night at the lab he said

One day he said "Beware the path you tread
or one day you might be the crop I reap"
in thrall to his obsession with the dead

He brings home hands, an arm, a leg, a head!
He hides them but I couldn't help but peep
Another late night at the lab he said

And now he's vanished; left the girl he wed
This lonely night I lie in bed and weep 
in thrall to his obsession with the dead

I feel an ancient, chilling, crawling dread
As Victor up the stairs begins to creep
Another late night at the lab he said
in thrall to his obsession with the dead

Tim Fellows 2019

Wednesday, 31 October 2018

The Witch

I started writing this a few weeks before Halloween and, in the middle of drafting it I found that, following the incident that inspired it, it was reported that a real life witch had cast a spell on the man concerned. If only dark magic were real....

@CatlandBooks (facebook)


The Witch

She unlocks the door, the room is candle cold.
Dust lifted by the urgent draught
dances in the fading light.
Key clink echo, the silence frees
her mind. She has one black thought, one goal;
in a choral chant, a language old
and ancient as the misty seas,
she summons up an icy breeze.

Her buckled hand swipes at the screen
that flickers into life, casts shadows
on the walls where moulds both black and green
hide in the crannies; dark pushes back the light
as autumn day gives up the fight
and yields to ever elongating night.

Mouths move upon the screen but yet
there is no sound, her coal black eyes
are focused now; her breath forms shapes,
tiny animal clouds that form and fade -
dancing deer and stalking wolves
and from her nostrils slithering snakes.

From a heavy great-coat, black (like her hair),
she takes out one, then two small bags.
Slowly and with deliberate care
she looses fraying string that secures
the first; extracts a lump of bread, some fetid
cheese that with maggots seethes and crawls;
yellowing teeth smile at her prize
and she greedily begins to feed.

The second bag begins to twitch and shift
until her head flicks to the side
and with a black and pinpoint glare
she forces it to stop; the thing inside
has felt her power; she begins to rise
and with swift purpose scrapes her chair
and hobbles across the dusty floor

To where a battered cupboard stands;
its doors creak wide as she arrives
and reaches in to its blackened deep
to retrieve a flask, that within her hands,
glows with red and ochre swirls, alive
with colours that seem to hold and yield
an infinity of hues and shades.

She sets it on the table top, between the bags,
the liquid seems expectant now, it glows
and a few bubbles form and rise
then die in a whirlpool that pulls and drags
at everything within its grasp; it knows
that something soon will come its way,
something black and cruel and cold as clay.

She sits again as now, upon the glowing screen,
the man, in tailored suit and perfect hair,
lifts his hand and, with the help of God,
swears to tell the truth. Enraged, but calm,
she hisses God will not help you, this I swear
and colder still becomes her lair
as fingers tap a rhythmic beat upon the wood
and she chants again her black and hell-bound prayer.

As he speaks, with choking tears, his anger swells;
there is no sound in the ice-chill room
but she can hear each and every word; each denial
as he repudiates the accuser's claim
that he would not blacken or defile
until she snaps and stands and yells out


"LIAR!"

and from her coat she pulls with crooked hand
a ball of white that with unholy force she crushes
down to powder that she casts into the air
where it hangs, suspended, transitioning from white
to black and back and now it seems
that each and every word that freely gushes
from his mouth is formed, in translucent light,
and she nods and whispers "Truth be here"

Now, with every phrase he utters, form new words
that no longer pair with those he mouths
but instead the truth that goes unheard
in that distant room is now spelt out
in moon-glow luminescence in this lowly house,
each No becomes a Yes - the air-words summoned
as the truth by this foul and black-cloaked hag
who reaches for the second bag

and grasps the creature that wriggles and squeals
as her dirt-blackened fingernails dig into
its soft flesh; she lifts and drops it in the flask
with one last awful cry it disappears
into the endless depths and now she feels
the power flow from flask to screen
and, as the inquisitor begins to ask
him where he was that night so long ago
he shudders slightly and the woman knows
that he felt it too, a shiver of his deepest fears,
and that the worst, the exquisite worst, is still to come...

The flask is empty now, its liquid gone,
and she slumps back in the ancient chair,
with lidded eyes her mind flowed back
to an earlier time, when her jet-black hair
was smooth and full, not crackling wild,
when she was no more than a child
with startling looks, innocent, not filled
with secrets old as Time itself
and years, so many years, on her dusty shelf.

That day, so many times the earth has turned
since then; their laughter, her fear, as they followed
her home and caught her in a hollow
dragging, pushing her to the floor
the hand on her mouth, the alcohol breath,
she stared into his eyes, was sure
that this would be the moment of her death.
Beyond, the black night sky, shimmering
with a billion stars as time flowed on.
All she could feel was cold
until they were disturbed and ran
and she heard a woman's voice, so old
and cracked yet with unearthly wisdom say,
Come with me, my dear, you have things to learn

Four seasons passed and that man, 
whose eyes she locked with on that day,
stood in the village market square
screaming, ranting, yanking on his hair
until it tore, crying out
Please stop, God help me, what must I do! 
and on his hands began to chew
until fresh wounds had opened up and red blood
flowed to join the blackened stains upon
his shirt; the madness in his eyes
as the gore stained hands began to rise
and reached and plucked with nightmare cries
and that man would see no more
or break another person's soul
and, as he lay thrashing on his back,
she stopped her choral chant,
she was again, complete and whole,
and slipped into the shadows deep and black.

Tim Fellows Halloween 2018

Friday, 13 April 2018

Dorcas

The story of the vengeful spurned (and dead) lover is very common in folklore. This mining story is based on a Gloucestershire coal mining legend (see here) that itself probably originated in the tin mines of Cornwall. Did you know that Gloucestershire had mines? The last full mine closed in 1949 but there was a further attempt to extract coal in the early 60s but it was abandoned. Perhaps Dorcas is still down there waiting to be freed by fracking. 

Dorcas

Dorcas loved a mining lad
he was her heart and soul
His hair was black, his eyes were blue
and he dug the black, black coal

She watched for him both day and night
Her heart she could not control
His skin was fair, his body strong
and he dug the black, black coal

One summer's day, her mind made up
she made some sweet fruit roll
Took some for him to eat that day
when he'd hewn the black, black coal

Happy was she as she saw him there
as he, from his work, did stroll
But her heart was by a hammer struck
just like the black, black coal

When she saw him with another girl
their hands entwined and whole
her spirit crushed and darkened,
like the shattered shards of coal

Straight to the mine did Dorcas go
she heard the church bell toll
as she threw herself into the shaft
to be one with the black, black coal

The miner lad would hew no more
for no-one could cajole
him back into that dreadful place
to dig the black, black coal

But other miners down that pit
would swear upon their soul
that they heard Dorcas singing
in the dark of the black, black coal

"Oh where, oh where's my mining lad
I need him to console
my trapped and wounded spirit
locked in the black, black coal"

"I'll forgive him and I'll leave this place
if you bring him to this hole
and I'll take him to eternal rest
away from the black, black coal"

But nothing would persuade that boy
to be a human mole
to lose his life to the angry ghost
who haunts the black, black coal

Tim Fellows 2017

Monday, 22 January 2018

The Knockers

Knockers (or Bucca) are part of Cornish folklore - underground spirits that became part of the mining scene when men were working underground and heard strange noises. The stories then travelled to America with the "Cousin Jack" emigration and became called "Tommyknockers" - this then transferred to coal mining and indeed to become generic malevolant spirits.

"Where there's a mine or a hole in the ground,
That's where I'm heading for, that's where I'm bound.
Look for me under the lode or inside the vein.
Oh where the copper, the clay, where the arsenic and tin,
Run in your blood and get under your skin,
I'm leaving the county behind,
And I'm not coming back,
So follow me down cousin Jack."


(Steve Knightley - Cousin Jack)

Stephen King popularised the term Tommyknockers with his 1987 book but it really doesn't apply properly and it's not one of his best.

I have taken the liberty of using this theme for this short story, set in a coal mine somewhere south of Leeds.It was read out on Sheffield Live's Write Radio on 19th January 2018.

The Knockers


 

This story was passed down to my granddad by his granddad. Back in those days boys would be sent down the pit at 10 years old - they'd only just made it illegal for under 10s to work underground. The boy's name was Arthur, and this is his story:

It was my first day down the pit and I was scared. I was 11 years old. There were a couple of bigger boys in the cage but most of the men were like giants looming above me - laughing, swearing, joking. That first day was horrible - it was dirty, noisy and the men were just shouting at me to do stuff and I didn't know what to do. At the end I was so tired but one of the men, Jim, slapped my shoulder as we walked back to the shaft and said "Well done, lad. Tha'll do alraight."

The next day as we were getting into the cage another man called George said "Hay, lads, we haven't told Arthur about the Knockers". "Aye, we'd better tell 'im" said Jim. I looked at my dad but he just nodded. So they told me - we'd had a big accident about twenty years before and the roof had caved in - it was bad. There was no chance of clearing it away so after two days they gave up. Thirteen men were behind that rock fall. "I hope to God they were crushed" one of the men said - I didn't understand why he said that at the time like I do now. After a few weeks some men working in the mine could hear noises coming from behind the seam - "Knock, knock, knock, knock". Whoever heard it (and not everybody did) would always end up in an accident - sometimes dead. "Old Billy Reardon had his foot chopped off after he 'eard them Knockers" said Joe Birkenshaw, quite casually. 

A few days later we were working when suddenly I heard some strange knocking sounds from what seemed like the other side of the seam. George was working near me but didn't seem to notice. "Knock, knock, knock, knock" - every few minutes. I was starting to get nervous and eventually I asked George if he could hear anything - "Aye, man, I can hear you yammering!". Later that afternoon, in the quiet after we'd blasted the face, I heard a voice, quite clearly, say "Arthur, it's your turn. Run" - nobody else moved. "DID YOU HEAR THAT!!" I yelled. "Hear what?" said Joe. Then all the lights except mine went out. Well that was it, I was gone. Up that face towards the shaft but with only my candle to see with. Suddenly the ground went strange - softer. My light had blown out and it was pitch black - I really panicked then and started crying and sat down.

Suddenly I saw a light - a lamp, I was saved. As the light came closer I could see a miner's face. It was old and wrinkled and the light reflected from one milky eye and one piercing blue one. "Now then, lad", he said, "what tha doin' 'ere". I told him what had happened and he chuckled but I didn't think it was funny. "Oh, they got you, didn't they!" "What do you mean?" I said. "Well, all the new boys get this - they know 'ow to make them noises and voices so that thi sound like it's comin' from behind t'face", he said in his raspy voice. "It's a joke, but they've put you in a bit o'trouble - tha sees, darn there's the old workings and tha ran past t'danger sign. Nar, walk slowly in t'direction I point thi in and when tha comes to a wall, tonn left, keep guin and when tha gets to't next wall, guh rait. Tha'll be safe then - there's no Knockers." Then he leaned over me and said "When tha gets back, tell 'em this.." and he whispered a message in my ear. Then he relit my candle and turned me round, pushing me lightly in the back. "Off tha' guz, lad". I set off and followed his directions.

At last I was back on the seam. "Ayup, 'ere 'e is!" said Jim - they all laughed but my dad looked relieved. "You do know it worra joke!" said Joe. "Yeah, I do. A miner found me and sent me back. 'E told me what you did." "Good, that's that then." said my dad. "One thing," I added, "'e told me to tell you that the thirteen said to take more care." Everybody went silent. Joe had gone whiter than normal behind his coaly face. "Are yer sure? What did he look like?" he asked. "Old," I said, "with one blue eye and one milky one, Raspy voice." The silence continued. "What's wrong," I asked, as they all looked at each other. Then Dad said - "That was your mam's Uncle Tommy." "I don't know him - I know all our family who's down 'ere", I said. "Oh no", Dad said, "You never met 'im. 'E was one of t'men buried in that accident 20 year ago."

(c) Tim Fellows 2017

Saturday, 23 December 2017

Ambleside

This short story was read out on Sheffield Live's Write Radio on 22nd December 2017. 

Ambleside - A ghost story for Christmas

The old man leaned on the wall and looked at the house. It was, he had to admit, not the prettiest house. It was grey in colour and looked like it should live in a black and white photograph, leaking monochromatically into the sky and trees surrounding it. There were splashes of colour and he took consolation in them - the pale green curtains, the plants in the hanging basket by the door and the yellow daffodil on the painted house name sign - "Ambleside".

The woman who now occupied the house was visible briefly through the window. She was a widow, who, despite her loneliness, seemed generally happy but today there was more of a bustle about her movement. Her activity indicated that this was the day when her grandchildren would visit her - she always put the tiny tent out in the back garden in summertime and had washed the bedding from the guest rooms. The children's arrival was bittersweet for him - it reminded him of when he had lived there as a boy. He loved that house, its strange staircase, the odd nooks and crannies to hide in, and the loft that he could climb into and listen to the creaking of its wooden floors when the wind was high. His mother, also a widow, would call him down for tea and he would climb down from the loft and scamper down the staircase following the rising scent of a stew or fresh baked bread.

He was happy with his mum and his house. He loved them both. Then he came. With his superficial charm, his flowers and chocolates, and, later, his drunken rages. Sadness rose in the man's body as his mind drifted, as it always did, to that night. To the child whose toothache was so bad he couldn't stop crying despite the shouting from the room next door. "Shut him up, Mary, before I do!" - he knew his mother would be sobbing and that made him cry more.

Shut him up. 

Suddenly there were footsteps and the door burst open - the man came in and grabbed him by the arm, dragging him from his narrow bed onto the floor. He could smell the whisky on his breath and feel the hands on his throat, tightening; he could hear the man shouting "SHUT UP!" "SHUT UP!", his mother screaming, the pain from the rotten tooth drifting away.

He had followed the man to the prison and to the hanging - before they put the hood on he knew that his killer had seen him. The terror in his eyes was more than could be explained by his imminent death. His black soul didn't linger - the trap opened and he was gone. Shut him up.

He was always sad that his mother couldn't see him - couldn't watch him growing up to be a man. She had moved away and he tried to follow but the house always drew him back. He barely left the house now, except to potter around the garden, as he was doing now. He loved this house and, as he entered what would be his ninetieth year, he wondered how much longer he would be here. He never wanted to leave - he wanted to be together with the house, forever.


Friday, 3 November 2017

Visions of Horses

It's a commonly held belief that animals perceive the supernatural more readily than humans.

Maybe pit ponies are no different.

Visions of Horses

Trudging up with heavy load
I walk my daily route - blinkered
in the dark I work and graft
with little love or reward.

It seems like this is eternity;
I remember so little else -
the memories seem like
imagined dreams - of my mother
nuzzling me gently as I drink
and of sunlight and rain;
of children laughing and patting.

My driver is neither kind
nor fierce - his melancholy drips
from him like water from the roof.
I sense his feelings
and those of the others who
cut the dark rock and fill my tubs.
Some say we sense more than
living emotions.

As I think this I catch, coming
towards me, a pale pony.
As we converge he stops
and stares straight in my eye.
His driver grunts - "hup lad"
but he will not move. I move
towards him, slowly - my
silent driver gives no orders.

I connect with the pony
whose baleful gaze is
now mere yards away.
I hear his thoughts -
he shimmers a little,
not quite solid.

"Hello friend"
I feel his words but cannot
respond. His master is
berating him, urging him on.
My grief is so deep my legs
buckle and my head bows.

"We will meet again"
he says and begins to move.
As he passes though me
we become one.

In that instant I know
which of us no longer lives. 




Tuesday, 31 October 2017

Dancing Lights

There are many stories of miners experiencing supernatural phenomena underground - this is one I made up.

Alone at the edge of the working day
Deep down below with just my lamp
I caught, in the corner of my eye,
Something that almost made me gasp
Along the swallowing darkened track
where the only colour should be black -
far flickering, dancing, lights

I turned my head so I could not see
the vision that icily clamped my heart
the thing that really should not be
where no man's hand could play a part;
I dare not move, my eyes were closed
I steeled myself to be composed
and look towards the dancing lights

My throat was dry as I turned my head
and took another nervous look
could my mind have been misled?
What possible things had I mistook?
But no, they were still there - closer now
than before; I swear, I vow
I saw those fearful dancing lights

My leaden feet were bolted down
as the lights drew ever near
then I faintly heard some muffled sounds
through the pounding in my ears
Scraping, hacking, scraps of chat;
a single laugh then more to add
echoing round the dancing lights

A crashing sound deep from the murk
and one by one out popped the lights
then my lamp too, the blackest dark
smothered me and held me tight 
as a rush of biting ice-air blew
deep through my soul and I truly knew
the essence of the dancing lights

At work, in pubs, they mocked, they laughed
"Spooky's coming", they might say, or
"Here's our Ghostbuster" as they passed;
But until the day I breathe no more
I'll tell my tale, at whatever cost,
of the souls of brother pitmen lost
and their beautiful, awesome dancing lights


(c) Tim Fellows 2017





The Colours of Her Skirt

Based on a memory, which may be unreliable, from some time in the 1960s.  With thanks to Sarah Wimbush and Ian Parks for editing and for the...