Friday, 12 May 2017

345



No spitting was allowed on tram 345
as she wended her way
under leaden Leodensian skies
to Roundhay via Harehills

A pre-war relic
broken down and
discarded in the sheds
She waited

While her siblings
were replaced on the shiny
tracks that glistened with
the remnants of drizzle
in the pale morning sunlight

The bell rang one last time
for the hard-working
electric carriages
as they were dispatched for scrap

Except for 345;
rescued and sent to
the verdant Derbyshire peaks
to live with her multi-coloured
cousins

Restored to glide past trees
and farms
Views so very different
to those

seen by workers at the factories,
mothers shopping and
bankers bound for
suburban teatime
from the bustle of the city.

Filled now by tourists
the old lady trundles her way
up and down the hill
and still insists that
no spitting be allowed
on tram 345

(c) Tim Fellows 2017

Monday, 8 May 2017

Cumulonimbus


Cumulonimbus

The black cloud is coming
I feel it faintly at first like
the drops of rain before a storm
the harbinger
of possibilities
that no-one wants

Then it fades and I breathe
it's not coming today
but soon it's back
I can feel the icy fingers
dragging at my soul

I want to fight
I know I must
for the sake of others as much as me
But part of me welcomes it
Bringing its self loathing
Its doubts and fears
and smothering me with them

Inside the cloud you
see only yourself
the rest is noise
You can only wait
and function, or not,
until it decides to go

Drifting away and
revealing the light
the joy of life can slowly return
as melancholy is banished
until the next time
the unwanted guest
creeps slowly into your mind

#MentalHealthAwarenessWeek

(c) Tim Fellows 2017

Thursday, 4 May 2017

The Man In the Shed

The Man In The Shed

The man sits in his shed with its orderly tools
He's following his own best gardening rules
Developed over decades in his personal lair
Tending flowers and veggies with such loving care 

His allotment is rented, his terraced house too
He doesn't own much, not been able to
A labourer for all of his long working life
Supporting his family, two kids and a wife

The kids have long flown and his wife died last year
He treats himself to an occasional beer
His shed is his comfort now, all he has left
His planting and cutting surprisingly deft

For a man whose hands were calloused and rough
From a job whose hours were long and so tough
His dog at his feet as he sorts through his seeds
He drinks tea from a flask before clearing the weeds

In the beautiful Cotswolds a different man stands
Admiring his shed that cost twenty-five grand
He's not employed any more, that is true
I wonder what he might be planning to do?

This man with his education so fine
The finest of clothes, the finest of wine
He worked his way up to the absolute top
Without ever suffering a lowly paid job

He gets a fat deal for writing a book
I wonder how he'll make himself look?
Stabbed in the back by his so-called mates?
Failing to win the important debates?

He sits in his shed and ponders his life
With his beautiful home and his very rich wife
Thinking about how he'll justify
His terrible record and all of his lies

In their private dens the men are found
With very little common ground
Both men in sheds but worlds apart
Different brains and different hearts

(c) Tim Fellows 2017

Saturday, 22 April 2017

I Held His Hand

I Held His Hand




When I was young
on the beach
I held his hand
He made me feel safe

When I was older
we didn't hold hands
men don't do that
except in their hearts

In the hospital
pain etched on his face
pain in my soul
I held his hand once more



In his chair at home
He was no longer there
so for the final time
I held his hand

John Edward Fellows Apr 1 1935 - Apr 22 2005

Tim Fellows 2017


Wednesday, 19 April 2017

Pleasley

Pleasley




Two brothers rise from the earth
defiant, proud
Mocking those who ordered
their destruction

Inside their body
their no longer beating hearts
wait, restored to health
but with no blood to pump

Do they remember
those distant days
when they raised
and lowered their mighty load

From the darkness below
where their burrows spread beneath
two counties?
Where the rich seam knows
nothing of man's borders

Days of steam, noise,
clanging machines dragging
the dusty black gold
into the sunlight;
so harshly banished
into history

Now all is quiet and still
except for birdsong,
the excited bark of dogs
and childrens' laughter
in a place of tranquility

Where two brothers who
have nothing to prove
face each other;
Reaching into the Derbyshire sky
with heads held high
 
They stand in glorious tribute
to long gone days
and the love that keeps them
defiant, proud
Mocking those who ordered
their destruction.


(C) Tim Fellows 2017

Dedicated everyone who has helped save and restore Pleasley Pit and to all the volunteers who keep the memory alive.

Sunday, 2 April 2017

What's that half wheel for?

What's that half wheel for?

"What's that half wheel?"
My daughter asked
"I see them everywhere"
How could she not
know what it is
or the reason they are there?

"What they were for",
I said to her
"When made into a wheel;
Was to wind the miners
down to work
Did they not tell you in school?"

If they just teach
of kings and queens;
of wars and ancient times
What will we know
of pits and coal;
Of working in the mines?

It's up to us
who lived the days
where memories are so clear
To keep alive the history;
don't let it disappear

The half-wheel's there
to remind us all
of the people of our town
They became our heritage
and we must not let them down.

(c) Tim Fellows 2017



Saturday, 18 February 2017

The National Coal Mining Museum - Lives Lived, Lives Lost

This story starts a couple of years ago now when I met John Connell, a former miner from West Yorkshire, when we both took part in a Masters Rugby League game in Barlborough.

We became friends on facebook and earlier last year it was John who alerted me to an initiative at the National Coal Mining Museum, which is located at the former Caphouse Colliery near Wakefield. In the grounds of the museum there is a memorial garden, a place for quiet reflection to remember family members and friends who were part of the industries and the communities they were built around.

It was also John who helped me locate more information about my grandad's brother Jim; another hobby of mine is family history and I'd started to look into Jim a bit more after my mum told me that he died in a mining accident when he was young. It was before she was born and she had limited information about him; John had found a reference to him by searching the National Newspaper Archives but thought you needed to register and pay to get the full details. I was quite happy to do this and followed it up to discover that after registration your first three page views would be free.

So, I did the search and up came two references; one from the Belper News from 1st March 1935 and another from the Derbyshire Times on the same day. Both had clearly come from the same source text but had been edited slightly differently.






There he was, looking just like my grandad, in his Sunday best as a late teenager - hat at a jaunty angle. The obvious family connection through his face already disarmed me a little and then as I read the text the whole story unfolded. Mentions of family members I knew and those I never knew, the shocking report of the accident itself and the subsequent inquest result and the funeral arrangements.

The two events - the finding of the article and the opening of the garden - dovetailed together and it was obvious that Jim deserved to be commemorated in the garden and I began the process of ordering the commemorative disc.

I had mentioned this to my family, of course, and my Auntie Margaret (the daughter of my grandad's brother George) was very keen to add a disc for him too and she ordered hers from her home in the Netherlands. George died from tuberculosis in 1943.

Once the two brothers were going to be there we decided that my granddad, the third mining brother, should be there too. It's very easy to configure and order the disc from the website

Both Auntie Margaret and I had been in touch with Liz Orme, who organises the ordering of the discs and the memorial days too. Liz was extremely helpful and, having met her, clearly takes a personal interest in the history and families behind each of the discs. She is from Derbyshire too, just a few miles from me in Bolsover, where my dad worked at the NCB offices for most of his working life. Liz told us she would make sure the three discs would be together.

Once the discs were ordered we had to wait until November 2016 for the commemoration in the memorial garden. My wife Fiona and I were joined by my mum, my sister Jill and her husband Dunstan.

It was a cold day, with low lying mist as we were welcomed with mulled wine before entering one of the former mine buildings that is used to host museum exhibits related, obviously, to mining. There were quite a lot of people present and the space was pretty full. We weren't in there for long though - introductions were followed by poetry readings and then we went outside to the garden nearby for the dedication. Although the wall is nowhere near full yet, it is quite hard to find yours, even when you have three of them. You get your first chance to see all the others and you get a sense of the wide range of lives that were involved in and affected by the mining industry in the UK.

Once everyone had assembled the next part of the event began -the dedications and names on each of the discs were read out in groups and in-between the Outwood Community Choir performed. It was cold but the length of this segment was perfect to enable us to take in the information and appreciate the music. It was very moving indeed and was made more so by the fact that Auntie Margaret had passed away just two weeks earlier and her sister Kath also back in the summer.



We then had time to look at the wall again before wandering back to the museum for coffee and cake. We met Liz on the way out and had a lovely chat; as we left the mist lifted to reveal the old colliery.



The memorial garden and the wall are a brilliant idea beautifully executed - congratulations to Liz and the team for their ideas and hard work. Following the formal end of coal mining in the UK those of us who come from that background should try our best to ensure that permanent memorials are in place and that education on local history and the national context of how coal drove the industrial revolution are not forgotten. It was, at times, a brutal way of life and you can argue that the industry's passing has benefits. However there is loss too - the loss of the communities, the comradeship and the jobs that it provided have never truly been replaced.

Find out more information and order your disc here


The Colours of Her Skirt

Based on a memory, which may be unreliable, from some time in the 1960s.  With thanks to Sarah Wimbush and Ian Parks for editing and for the...